Art work

My work explores the intersections of the human body and cathedral architecture, examining how structural systems—iron, stone, glass, timber, bones, cartilage, tendons, and ligaments—provide stability and respond to external forces and internal stressors. By approaching the body as a cathedral, where skin becomes surface and openings mark the confluence of inside and outside, I invite viewers to enter the body beyond its physical limits. Architectural lineage and familial inheritance connect the influence of genetics to one’s perception and understanding of their own body.

Through acrylic painting and layered wood cutouts, I manipulate perception and spatial orientation, creating moments where the conscious and subconscious merge. Anatomical motifs intertwine with architectural fragments, from Romanesque solidity to Gothic verticality and Renaissance precision, tracing the evolution of structural thought alongside human physiology.